This jewellery practice extends my worldbuilding into objects, exploring speculative worlds where belief has mass and invisible forces become material.

The pieces take the form of wearable artefacts: weapons, charms, armour fragments, relics, and ritual objects shaped by imagined systems of power, protection, grief, and transformation. They are designed as evidence of worlds where emotion does not remain internal, but accumulates, hardens, and becomes something that can be carried.

Working through digital sculpting, 3D printing, hand-finishing, and painting, I move between virtual and physical production - giving weight to fictional stories.